studio and practice collapseThe ‘mark making’ hovers around by three points, by revisiting what ‘flying’ is all about? With the wind as an infrastructure and rethinking what the wind could be, secondly by contemplating the history of the abandoned Rachid Karami International Fair by Oscar Niemeyer at Tripoli and its position within the history, and with a backdrop of ongoing intrusions of flying space and accelerationist tendencies.
Rachid Karami International Fair by Oscar Niemeyer
Cardboard on window panels, bulb socket, Stairs
July 2024, Beirut
video: 27 mins [in loop]
video